Every player follows his own track. They take turns in describing what they observe. The contents of their simultanious experiments, actions and drawings and of the projected images overlap, and they complement and comment one another.
Through microports the players are heard in the auditorium from the front as in the cinema. The music has a dynamic of ist own and through the acousitic trails of motion the layers of images and experiments are further condensed.
In the end a space-filling Buckminster-Fuller-Tensegrity-Dome is built by the players out of twenty-five rods.
Uraufführung > 3. November 2009, Theater an der Parkaue, Berlin